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Davinci resolve editing exposure6/3/2023 It lets you easily see if you’re clipping any of the shadows or highlights. Whereas a histogram goes from black on the left to white on the right with the total amount of that brightness represented by the height of the peaks, the vectorscope moves from left-to-right across the image, with the vertical axis showing us the level of the brightness on that pixel column of the current frame. It shows pretty much the same data, but in a different way that offers up a lot more information. But what are they? The waveform is a lot like the histogram. The three main scopes available to video shooters are the waveform, the RGB parade, and the vectorscope. And even when they do, they still want to get it as close to perfect in-camera as possible, because correcting a video takes a lot more time and processing power than a few dozen stills. While there are some cameras capable of shooting raw video, many video shooters don’t have this luxury. But this is mostly because we’re shooting raw, and we get a lot of latitude in post to correct for things. It shows us the range of brightness levels from black to white, and we can profile our cameras and feel reasonably confident that if we set a good white balance, the colours are good. The humble histogram serves its purpose quite well for photographers.
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